Design Videos, Webinars, and Podcasts
Myths of Marching Band Show Design
Scott Koter shares valuable insights which will transform your planning process, helping you make smart choices for your group.
876: Hybrid Flags Bring New Design Possibilities
Doug Gardner explains how combining digital printing with elements of traditional sewn flags can add texture and beauty to your flags.
Coordinating, Implementing, and Mastering Band Choreography
Peter Beckhart explains the most effective methods to train for, plan for, and implement smart design choices through coordinated drill and choreography.
TMEA 2020: Scott Koter on SCV
Scott Koter gives us an update on Santa Clara Vanguard 2020, plus shares great advice on the show design process, the book "Hatch" and "Grab, Group, & Grow!"
TMEA 2020: Frank Sullivan
Tim talks with Frank Sullivan, the renowned arranger for many groups, including Tarpon Spring HS.
868: How to Get More Effective Marching Arrangements
Evan VanDoren and Jason Robb show you how to communicate and collaborate more effectively between director and arranger.
Creating Shows with Invested Designers
Dan Morrison, Director of Bands at Reagan HS in San Antonio, TX, shares the process he and his staff use to create their amazing shows so loved by audiences and judges. He and his staff accomplish many of the technical aspects of the show themselves, bringing advantages to the teaching and design process.
844: Uniform, Floor, and Prop Design
Tony Nunez of Arcadia High School and RCC Indoor Percussion shows you how to bring more sophistication and effect to your group.
Collaborating to Create an Effective Music Arrangement
Give your students the advantage of more effective music! Evan VanDoren and Jason Robb walk us through the why and the how they go from “blank page” to “effective arrangement”.
Built To Compete: The Eraser is Mightier than the Pen (Sometimes)
How do you realize the full potential of your show concept? Arranger and Adjudicator Mike McIntosh takes you inside his process to help you unlock the full potential of your ensemble’s program, discussing his process for composition, rehearsal, and revisions that can be adapted for any show or ensemble.